Mostrar mensagens com a etiqueta Jardinagem. Mostrar todas as mensagens
Mostrar mensagens com a etiqueta Jardinagem. Mostrar todas as mensagens

terça-feira, 12 de janeiro de 2016

Amigos do Botânico: Voluntariado em 2016

















Informação aos associados da Liga dos Amigos do Jardim Botânico

Com a regra do «3º domingo de cada mês» vamos iniciar em 2016 o Voluntariado Mensal da LAJB no Jardim Botânico. Assim, a 1ª acção de voluntariado da LAJB será no próximo domingo dia 17 de Janeiro com início às 10H. O ponto de encontro é, como sempre, junto da bilheteira do Jardim Botânico.

Calendário dos trabalhos de manutenção no Jardim Botânico 2016:   

Janeiro: dia 17
Fevereiro: dia 21 
Março: dia 20 
Abril: dia 17 
Maio: dia 15 
Junho: dia 19 
Julho: dia 17  
Pausa em Agosto  
Setembro: dia 18 
Outubro: dia 16 
Novembro: dia 20 
Dezembro: dia 18

Pedimos aos interessados que informem por email da sua vontade em participar

amigosdobotanico@gmail.com

Muito obrigado, Bom Ano Novo e até domingo!

A Direcção da LAJB

domingo, 20 de julho de 2014

Amigos do Jardim Botânico: Os voluntários!





Os canteiros 30-B, 25-B e 18-B livres de infestantes e limpos graças aos nossos 11 voluntários: Fátima Moura, Isabel Pereira, Catarina Abrantes, Margarida Bom, Graça Lopes, Gustavo Baptista, Carlos Carrilho, Luís Leitão, Fernando Jorge, Manuela Correia e a curadora do Jardim Botânico, Teresa Antunes. A todos muito obrigado pela generosa oferta da manhã de domingo para cuidar do Jardim Botânico!

Amigos do Jardim Botânico: Dia de Voluntariado!


























domingo, 13 de julho de 2014

Voluntariado no Jardim Botânico: 20 Julho 10h

Estimada/o associada/o  

A Direcção da Liga dos Amigos do Jardim Botânico tem o prazer de informar que se realizará uma acção de voluntariado, com vista à manutenção do Jardim Botânico, através da oferta de um dia de trabalho voluntário dos associados da Liga dos Amigos do Jardim Botânico. 

Saudações botânicas,  
A DIRECÇÃO    

VOLUNTARIADO NO JARDIM BOTÂNICO   

DATA: 20 de Julho - 10 HORAS ( DOMINGO )  
PONTO DE ENCONTRO - Junto à Ficus macrophylla  
ORGANIZAÇÃO: Liga dos Amigos do Jardim Botânico (LAJB)  

INSCRIÇÃO: Limitada a 10 participantes.  

A LAJB vai ajudar na manutenção do Jardim Botânico através da oferta de um dia de trabalho voluntário. Os associados deverão trazer roupa e calçado confortáveis, chapéu/boné e luvas de jardinagem. Quem desejar poderá trazer tesoura de poda. Serão tratados os canteiros 18B e/ou 25B no Arboreto.

LIGA DOS AMIGOS DO JARDIM BOTÂNICO 
Rua da Escola Politécnica, 58 1250-102 Lisboa   
TM: 962112171

Foto: Voluntariado da LAJB no passado dia 29 de Junho de 2014.

segunda-feira, 30 de junho de 2014

Adeus e Obrigado Senhor Orlando: O último jardineiro do Jardim Botânico?


Este é o Senhor Orlando Rua Sequeira, Jardineiro do Jardim Botânico de Lisboa. Hoje foi o seu último dia de trabalho porque amanhã será o seu primeiro dia enquanto Reformado. O Senhor Orlando, nascido no ano de 1952 em Fonte Arcada no concelho de Sernancelhe, veio para Lisboa em 1973 à procura de trabalho na construção civil. Mas a 1 de Abril de 1978 iniciou funções como jardineiro no Instituto Câmara Pestana. E em Outubro de 2009 entrou nos quadros do nosso Jardim Botânico onde nos habituámos a vê-lo na Classe. 

Desde criança que gosta de plantas e foi logo na Escola Primária que se iniciou no cultivo de rosas e outras flores.

Mas hoje, dia 30 de Junho de 2014, realizou a sua última tarefa: aparou o buxo que dá forma aos canteiros da Classe. Com a partida deste último jardineiro encerramos um ciclo de vida do Jardim que no passado chegou a contar com mais de 3 dezenas de jardineiros. 

Agora a manutenção e conservação do Jardim Botânico será ainda mais difícil e vulnerável, reduzida que está a meia dúzia de funcionários, por tempo muito limitado, do Centro de Emprego. Que futuro para um jardim classificado Monumento Nacional sem jardineiros?

Adeus e Obrigado Senhor Orlando!

quinta-feira, 29 de março de 2012

As Árvores e os Livros: Gertrude Jekyll

The purpose of a garden is to give its owner the best and highest kind of earthly pleasure.

Gertrude Jekyll (1843-1932) foi uma importante designer inglesa de jardins, sendo da sua autoria mais de 400 jardins na Europa e EUA; escreveu também mais de 1000 artigos para revistas como Country Life e The Garden.

Foto: Jardim desenhado por Gerturde Jekyll em 1908 para uma das figuras mais importantes do movimento Arts and Crafts, Charles Holme, em Upton Grey no Reino Unido.

quarta-feira, 5 de agosto de 2009

EDIBLE and ELEGANT

Cabbages, chard, peas and pumpkins can bring as much variety to a garden as flowers can, says Hazel Sillver

Functional rows of leeks and lettuces, with soil in between, are not as kind on the eye as the rose tumbling over the pergola or the drift of pink poppies filtering the light. Veg is just veg. Or is it?

Judging by a series of new kitchen gardens – and the French potagers that inspired them – it seems productivity can be beautiful.

In the Chef’s Kitchen garden at The Royal Horticultural Society’s Hampton Court Palace Flower Show in London this month, flowers such as roses, echinops and sedum grew among good-looking vegetables and herbs such as fennel, round-headed leeks (Allium sphaerocephalon), artichokes, cabbages and red orach.

Designed by Karen Rogers, the plot was created to demonstrate that a garden can be both edible and elegant. “You don’t have to have lines of veg,” says Rogers, who planted hers higgledy-piggledy in among the flowers. “A kitchen garden can be beautiful to sit in.” The focal point was a wood-burning stove (for outdoor cooking), around which sat box topiary and raised beds of blue-grey-painted wood that were filled with a stunning mixture of flowers, fruit and vegetables.

The interest in decorative vegetables is widespread. People now want to grow their own food on such a scale that their garden (if it is attached to a small townhouse, for instance) is often dominated by edibles. Why not? The allotment can look as pretty as the rose garden and attractive vegetables can be grown in borders amid the flowers. Once upon a time if vegetables were labelled “ornamental” it meant they were grown for looking at, not eating; nowadays people want them to be ornamental and edible.

"The desire for productive gardens is now immense,” says garden and landscape designer Helen Westendorp. “Last year only a handful of my clients wanted me to incorporate a vegetable garden but this year everybody has asked for one and they all want it to be ornate.”

Westendorp has created a kitchen garden at The Bell, a hotel and gastro-pub at Skenfrith in Gwent, south Wales. To fulfil the owner’s brief of “pretty productivity”, she put beds of ornate edibles such as horned cucumber, lavender and asparagus pea around a gazebo covered in blackberries and apples.

In these eco-friendly and health-conscious times, plucking food from the backyard instead of buying greens that have been flown in from another continent can help our bodies – and the planet. At Hampton Court Palace, the award for Best in Show went to the Winchester Growers’ Growing Tastes Allotment Garden and it is likely this was because of its timely theme.

At the moment, horticultural bodies and politicians cannot do enough to encourage us to harvest our own crops. Boris Johnson, mayor of London, and the Royal Horticultural Society recently paired up to create Capital Growth, a scheme that will oversee the development of 2,012 new food growing spaces in the capital by 2012. In San Francisco, Mayor Gavin Newsom has just ordered an audit of unused land, including rooftops and windowsills, that could be turned into community gardens or farms supplying locals with vegetables.

At the White House, Michelle Obama, first lady, has had an ornamental vegetable garden installed while Queen Elizabeth’s acres at Buckingham Palace now have their first edible garden since the second world war. There are rare crops, such as the climbing bean Blue Queen, strawberries growing out of a large stone vase and a round bed of eye-catching vegetables, such as rainbow chard, planted in concentric circles.

Of course the most famous vegetable patch in history was created for a monarch – the 22-acre Potager du Roi at Versailles, designed for Louis XIV in the late 17th century to “delight the eyes”. The ornamental pattern of rectangular beds surrounding a fountain was such a spectacle it spawned a series of pretty kitchen gardens for which France is now famed. The term potager, which simply means “kitchen garden” in French, now means beautiful kitchen garden in English.

There are still many incredible potager designs in France, including colourful lines of vegetables and flowers at Château de Bosmelet in Normandy and, of course, the vast chequerboard of beds at Château de Villandry in the Loire Valley.

France is an exception in history. In most countries, the ornate kitchen gardens of the past gave way to unattractive rows of vegetables. In recent decades designers have begun to think differently. In the UK the late garden designer Rosemary Verey created various potagers; at The Old Rectory in Sudborough, Northamptonshire, for example, she mixed box-edged beds of vegetables with rose-drenched arches, lavender, delphiniums and pink willow.

Now others are following her lead. The new kitchen garden at RHS Harlow Carr in the north of England is designed to demonstrate that an organic edible garden can be decorative. A walkway of living willow walls and sweet peas curves through raised beds of attractive foodstuffs such as kale. At fashion designer Linda Allard’s huge potager in Connecticut, US, there are roses among the vegetables and a tomato walkway.

There is no reason why vegetables cannot be attractive. Either we mix them with non-edible beautiful plants or we use attractive edibles, of which there are many: the exotic-looking Turk’s Turban, the small pink sweetcorn Strawberry Popcorn, regular sweetcorn for its structural foliage, the purple-grey cabbage Red Drumhead, the burgundy artichoke Violetto di Chioggia and the dark purple bean Blauhilde, to name but a few.

The organic seed and plant company Victoriana Nursery reports an increase in people buying attractive vegetables, such as cucumber Crystal Apple and pumpkin Jack Be Little to train up a trellis or over an archway.

Vegetables can be grown in more formats than we might imagine and it is an exciting design prospect to want them as the backbone of the main garden. in Finnacial Times, 25/26 de Julho de 2009

FOTO: alfaces e outros legumes no jardim do Château de Villandry no Vale do Loire

sexta-feira, 17 de abril de 2009

Jardins Lusos: «Ideal antidote to winter»

Novo livro sobre Jardins de Portugal publicado no Reino Unido:

During the recent week of a real English winter, my only digging has been round the wheels of the car, embedded in snow at various points up the drive to the house. On the coldest mornings, I have given up and returned to a mental travel among little-known gardens that are havens of camellias and spring flowers in mid-February. How many of you know much about the historic gardens of Portugal? Perhaps you have seen a few at Sintra in its unusually favourable climate for trees and hedging. My mental image of them amounted to a few painted tiles behind stone benches and dazzling bougainvilleas between the gardens and hideous, encroaching modernity.

I have been completely wrong but it has taken an excellent new book to open my eyes. As its author, Helena Attlee, aptly observes: "Thousands of visitors are drawn to Portugal each year but few of them visit its gardens. Their loss is your gain." It could even be a gain at this very moment. Some of the best are magnificently equipped with camellias, many of which are now out in flower.

Her Gardens of Portugal is the essential companion, not least because she gives the addresses of the many good gardens open only by appointment. I hope their owners do not live to regret her generous research.

In the south of the country, the once-royal garden at Queluz is relatively well known abroad. It has become the beneficiary of funding from the World Monuments Fund and I have written in the Financial Times about its appeal to restore the garden's great series of statues, made and exported by John Cheere near London's Hyde Park.

Queluz was a royal botanical paradise in the 18th century but it turns out to be only one of a score of architecturally planned gardens worth hunting down. Decay and neglect are flourishing in many of them but there is still plenty for sensitive visitors to take to heart. Attlee writes of a "quirky soul which survives vibrant and intact" or of "absurdity in a captivatingly light-hearted garden". I trust her entirely and her book's photographs are excellent.

Gardening in Portugal has been a historical roller-coaster. The first great flowering was in the early 16th century when Portuguese ships were navigating the Cape of Good Hope and bringing spices and irresist-ible luxuries back from Asia. The great -survivor from this era is Quinta da Bacalhoa, every aspect of which deserves a superlative, writes Attlee. It has the painted tiling, or azulejos , which is such a feature of walls, seats and even pillars in Portuguese garden design. The gardens of this era owed a debt, like so many, to the designs in Renaissance Italy. The best painted tiling I have seen on pergolas outside Attlee's book is in the cloister garden of San Domenico, the Italian headquarters of the Dominican monastic order in Bologna. It measures up to Portuguese standards, although Portugal has finer scenes of family members on prancing horses and more busty classical heroines. I have often thought that wittily painted tiling of this sort would be a fine addition to cramped London gardens in places such as London's Fulham. The da Bacalhoa garden owes its restored state to an American buyer in 1936, Orlena Scoville.

Wars with Morocco and then with Spain clipped Portugal's prosperity but news of gold and diamonds in Brazil restored it in the early 18th century. Garden-making flourished again with the Italian inspiration of Niccoló Nasoni, an imported genius who brought in the baroque style. He coincided with the ascent of the trade in port wine. It did not add only to 18th century gout, it also boosted the profits available for garden building and entrenched its English growers in style around Porto. Even in 1900, they struck a visitor as behaving as if they "owned the city, so Britanically, so unconsciously arrogantly" with their cricket pitches and rowing regattas and "jolly, self-contained British life". They were the ultimate British expats and their gardens showed it. Nasoni's most famous building evokes vin rosé , not port. He designed the Casa de Mateus so familiar on the labels of Mateus rosé, although the grapes for this wine were not grown around this magnificent house.

An age of exuberant gardening was shaken by the devastating earthquake round Lisbon in 1755. It was further shaken by a remarkable moderniser, the Marquis of Pombal, who attacked the country's education, Jesuits and aristocracy with particular energy. Other noble gardens suffered but his own continued to prosper and its tiled terracing, classical statues of authors and remarkable Poets Cascade can still be visited with pleasure. His fervour was followed by Napoleon's invasion and its ruinous wars. Noble gardening was hit yet again. It was not extinguished, however. Attlee has a fascinating account of yet another Italian import, the set designer Luigi Manini, who arrived from a career at La Scala opera house in Milan. He applied his skill to the magnificently sited garden of Quinta da Regaleira, where enough survives to be a tribute to interior designers when let loose outdoors.
He is not, however, the high point of her story. I am intrigued to be reminded of a superb Portuguese garden in the mid-1930s, honoured for its white peacocks, orange trees and elegance by the famous landscape gardener Russell Page. It turns out to be the Casa dos Biscainhos, one of several worthwhile gardens in the damp, garden-friendly north. Apparently many of the local townsmen emigrated in the 1960s and the public gardens were left to the women, a tradition that persists.

Biscainhos has been owned by the town council since the mid-1960s. In 1805, a visitor wrote: "When I entered the house's drawing room all the dames of honour were seated - guess, reader, where? On the floor!" By the 1960s it sounds as if they were out in the flower beds instead.

At Biscainhos, Page saw amazing camellias, clipped into the shapes of huge houses. I now see what he meant. Camellias took off in Portugal in the early 19th century and in gardens such as the stunning Casa do Campo the results are wonderfully visible. Camellias are pruned into tightly circular shapes, up to 30ft high. As I write they are flowering all over their glistening evergreen leaves, an almost incredible sight.

In England the recent frosts have ruined camellia buds outdoors. In Portugal they are at their best, with roses to follow in March and rivers of blue agapanthus while we are still shivering among our daffodils. Portuguese staircases of stone, tanks of water and façades of exuberant houses are the ideal antidote to late winter. in Financial Times, 14/15 de Fevereiro de 2009

The Gardens of Portugal, Helena Attlee (Frances Lincoln, London).

FOTO: Jardim do Palácio dos Condes da Calheta em Belém, Lisboa

sábado, 28 de fevereiro de 2009

«Guerrilla Gardening» em Londres!

Raiders of the lost parks
Helen Davies joins the urban guerrillas who want to change the world — by landscaping it

"Meet 8-ish on the Lambeth Road," the text read. "Tree pit as yet undecided. Directions for my night's illicit rendezvous — or the G-spot as it is known - amid the tower blocks of south London are becoming dearer. The adrenaline kicks in. Am I ready to flout convention, break the rules, take part in what some would argue is a criminal activity and go, er, gardening?

Another test: "Change of location. Go down the main road, turn left into the estate, past the sunken children's playground You'll see the patch of grass. Meet us there." A few people begin to appear in the half-light; their gloves, Wellingtons, warm clothes and eager smiles mark them out as fellow warriors. Their leader is Richard Reynolds. Under the cover of darkness, Reynolds, 30, a son of botanical Banksy, and other like-minded citizens have set about transforming neglected patches of mainly inner-city land with daffodils and sun (lowers. Reynolds, polite, clean and terribly middle-class, arrives in a sporty MG, a bag of compost tied to the roof, with pots of lavender, Paris daisies and tools piled into the boot.

I borrow gloves and join the seven-strong troop. The target is small: two circular sites, no more than 10ft across, bordered by wilted daffodils. "It's about fighting the filth with forks and flowers." Reynolds says as we start lugging under the orange glare of street lamps and the bluish television haze from the council estate in Southward. "There is no manifesto. Having some greenery and creating a better environment has many positive benefits."

Reynolds's desire to garden was born four years ago when he cleaned the neglected planters outside his own south London tower block. Today, they provide a blooming oasis in the barren landscape el 1970s concrete. Since then, he has led his own troop of guerrillas in the capital.

Details of any digs are posted on a global online forum, http://www.guerfillagardening.org/. All recruits who sign up to the website receive a troop number: Richard is 001 and I'm 2233. Plants are grown from seed or cuttings from other people's gardens, or bought thanks to cash donations.

As we work in compost to add nutrients to the soil, pull out rubbery bits of old roots and squabble over the one and only trowel, it becomes clear that my fellow guerrillas arc- not your usual paramilitary combatants. There's a debate about the planting arrangements — should the daisies be in clumps of two or split up? Is that too messy or too twee? Is there room for dianthus and lithodora?

Swapping fork for trowel, I start gouging out soil to make room for some Lavandula augustifolia. Lyla (whose troop number is 1046) works in fashion textiles. She explains how to "tickle" up the roots to encourage them to take hold. I'm beginning to enjoy myself - the last time I did any gardening. I was 10 years old. I don't even have a suitable windowsill to tend to a few pot plants back at my rented flat.

Christina (037), a City analyst, tells me why she's taken up the struggle. "I don't have a garden," she says. "I enjoy being outside, learning about plants and at the same time giving something back." Despite the slowdown, houses are still too expensive for many Londoners — and so, consequently, is a garden. Allotments- are as precious as a place at a good state school and, for some people, the only hope is to garden on someone else's land.

The first modern skirmish took place in an abandoned lot in New York in the 1970s, but the movement's history dates to the 17th century. The first recorded act of guerrilla gardening took place on a Surrey hill in 1649, when the Diggers, founded by Gerrard Winstanley, planted vegetables near Cobham. Today, there are groups of activists from the Wirral to Wiltshire, Cornwall to Cambridge. In Crewkeme, Somerset, Ben (2676) tends to his maize in an abandoned tub outside his local supermarket. In Wales, Paul (2207) secretly plants oak saplings in copses.

After less than two hours, we stand back to view our work. The circles of bare earth are now patterned with greenery and the scent of lavender lingers in the air as the plants get their first watering. One local resident says "Thank you" and promises to water it.

There's the rub. It may be a fun one-night stand, but for guerrilla gardening to be more than a publicity stunt, the plants need to be maintained. As Reynolds points out. His main underground activity is collecting rubbish and weeds. "There's almost always a lone plastic bag, so you just fill it up and bin it," he says. in The Times 4 de Maio de 2008

FOTO: canteiro de girassóis criado por uma equipa de "Jardinagem de Guerrilha" perto do Parlamento em Londres.

domingo, 11 de janeiro de 2009

«STRAIGHT AND NARROW»: os micro jardins de Amesterdão


I didn’t exactly expect to find swaying fields of cannabis in the canal-house gardens of Amsterdam but I was surprised by their formality in this famously laid-back city. Then again, their enduring classical designs – so unalloyed in some cases I would have been only mildly surprised to find William III, 17th-century ruler of the Netherlands, later king of England and gardener extraordinaire, strolling about the parterres – made sense given how well adapted they are to Dutch geography and culture.

The Netherlands is a terribly populous country and Amsterdam especially so. Even wealthy residences, such as the waterside houses built for successful merchants and other solid burghers in the capital in the 1600s, tend to be constricted. That paucity of space explains why so many of the 7,000 often beautiful, protected buildings in the capital appear, weirdly, to be tipping towards the middle of the street. In fact, their inclination allowed a pulley – still commonly used today – to be suspended from the gables to transport furniture too bulky for winding, narrow stairwells to the upper storeys. Their gardens, likewise, are typically long and lean and also use contrivances to beat their dimensions – intricate box hedging, water features and statuary that are meant both to make the most of the pinched space and to distract from it.

“Most of the canal-house gardens are only about 7 metres wide by 30-40 metres deep; gardeners have constantly sought solutions to make them not look so narrow,” explains Tonko Grever, curator of the Museum Van Loon, which, with its faded lush furnishings, constipated portraits and formal rose garden after a 1680 design is one of the most convincingly restored of the city’s historic residences. Complex, elegant parterres, designed to be appreciated from the bel étage – the upper reception floor – were meant not only to draw attention from the lack of space in the garden. Such decorations were also favoured for their steely winter looks by well-off families who spent the warmer seasons out of town. Arising first on the sweeping canvas of royal gardens, they were, finally, a visual treat to contrast with the flatness of the Dutch landscape.
I do not want these gardens to sound dour; even when severely clipped they contained quirks. The concentric circular rose beds in the Van Loon garden form, you soon realise, a map of Amsterdam’s canals. The swirling arabesque parterres in a garden on Herengracht look quite antique but they have been there only 15 years, Maarten van den Grinten, a jazz guitarist and one of the four owners of apartments in the house behind who share upkeep of the garden, says: “Ten children have grown up here and in the garden next door; it used to look like a football field. We chose parterres for the low maintenance,” he said with a shrug. “Next door” was reached through a gap in the hedge; many of the gardens I saw were shared in this easy way. Its style was a rare casual contrast like an exemplar of the natural planting subdued for a century or two when the Dutch William, metaphorical clippers in hand, ascended to the English throne.

“How much work do you do on it?” I asked Dorine de Gruyter, the artist owner, wondering if the apparent anarchy was a laborious artifice. “Oh, hardly any,” she said, leading me down a foliage-cramped path to where her knobbly sculptures, inspired by stilt-walking musicians she had met on a recent trip to Cuba, were displayed.

Art leavened the formality of many of the gardens. The classical statuary might have flirted with kitsch but was saved by a Dionysian quality that would have pleased the ancients: a cherub strangling a serpent, a fawn dancing in ecstasy. The modern works set up a dialogue with the venerable formality and symmetry of the planting.

Through the narrow portal of the artist Heather Jeltes’s house, you come first upon a tiny room in which she has installed a draped, candlelit dining scene. You could imagine Vermeer supping in its tenebrous confines. Further back, an even more minuscule courtyard was almost filled by a broad swing set against a trompe l’oeil painting – the illusion barely perceptible – of a trellis and creeping plants.

Leaving the private gardens for the public space of the street, I found evidence of Amsterdammers’ gardening compulsion. Verversstraat, a working-class lane off the tourist trail, is one of the greenest streets in the city. Even a dope-smoking salon had a glorious green archway. Every second houseboat bobbing up and down on secluded Dijksgracht had a higgledy-piggledy plantation. No spare inch is left unplanted – ­literally; you find roses poking up from plots of that size in the pavement.

With the help of the municipality, such kerbside gardens abound. Most are no more than a paving stone wide and I found Welmoed Koekebakker, an artist (yes, another; how does the city’s economy function?) tending one that had grown halfway up her house. My first question was a Londoner’s: “Don’t people steal the plants?” “In 15 years, I’ve had only one or two stolen,” she said. “People donate plants; sometimes I don’t like them. This has become a real gathering place for the neighbourhood.” in Financial Times, 10-1-2009

FOTOS: em Amesterdão os cidadãos podem criar micro jardins em frente aos seus prédios bastando para isso abrir buracos nos pavimentos; esta iniciativa é realizada com o apoio do município.