Mostrar mensagens com a etiqueta Arquitectura Ecológica. Mostrar todas as mensagens
Mostrar mensagens com a etiqueta Arquitectura Ecológica. Mostrar todas as mensagens

terça-feira, 6 de outubro de 2009

CBS - CORK BLOCK SHELTER!



O Museu Guggenheim de Nova Iorque lançou um concurso internacional de Design a que chama "Shelter Competition". Foram admitidos cerca de 600 projectos de 68 países. Dos 600 projectos foram seleccionados 10 finalistas, entre os quais está o projecto do arquitecto português David Mares. A cortiça é o elemento do qual é feito o abrigo do arquitecto lusitano. O "CBS - CORK BLOCK SHELTER " é um abrigo construído na versátil cortiça. Mas para além da já honrosa posição de pertencer ao Top 10 deste concurso, o abrigo de cortiça está em 1º lugar na votação do público. Para quem desejar participar neste concurso votando, por favor acedam ao site do concurso em http://www.guggenheim.org/

A votação decorre até às 23:00h de 10 de Outubro de 2009. Além do prémio do público, este concurso contempla também um prémio atribuído por um Júri, que será divulgado na Guggenheim Museum's 50th Anniversary Celebration.

CBS is located at Vale dos Barris. It was designed to be an ecological and living block. In a microclimate that ranges from the dry heat to damp cold, the application of cork is a good way of thermally isolating the shelter and also providing acoustic insulation for study/sleep. The dynamic facade gives visual interaction when in living-studying mode; in rest-sleep mode it closes to provide privacy for its occupant.

FOTOS: projecto do CBS, "Abrigo de Blocos de Cortiça"

quarta-feira, 22 de abril de 2009

22 de Abril: DIA MUNDIAL DA TERRA

Jardim do «Templo Prateado» em Kyoto, Japão. Exemplo de harmonia entre Homem e Natureza.

terça-feira, 3 de fevereiro de 2009

Jardim Botânico destacado no Mapa de Arquitectura de Lisboa

MAPA DE ARQUITECTURA de Lisboa: Jardim Botânico considerado um dos 150 monumentos mais importantes da capital

Publicado em 2003 em Lisboa, pela Argumentum, este guia destaca as 150 obras (edifícios ou sítios) de referência da capital. O pequeno mas denso mapa de bolso contém tanto os óbvios monumentos como também alguns imóveis do século XX que os lisboetas ainda não vêm como património mas que serão os monumentos nacionais do futuro. Algumas destas obras já foram, entretanto, classificadas como Monumento Nacional de que é exemplo a Sede, Museu e Parque da Fundação Calouste Gulbenkian.

A selecção, documentação e organização de conteúdos é da responsabilidade dos historiadores Ana Tostões, Filipe Jorge e Teresa Nunes da Ponte.

Na parte dedicada ao periodo “Séc. XVI a 1880” o nosso Jardim Botânico aparece com o número 64:

«Jardim Botânico - 1873 - Conde de Ficalho - MN»

Ainda dentro do área do jardim é destacado o elegante edifício modernista da Botânica:

«Edifício do Museu da Botânica - 1940 - Adelino Nunes»

Também o edifício da antiga Escola Politécnica, actual Museu Nacional de História Natural (1878 - Pedro J. Pezerat) e o antigo Picadeiro do Colégio dos Nobres (séc. XVII-XVIII) aparecem na lista do número 64. Infelizmente, todo este conjunto monumental está a precisar de obras urgentes de restauro.

FOTO: Palmeiras no Arboreto do Jardim Botânico

domingo, 18 de janeiro de 2009

As ÁRVORES e as CASAS: Kinoka no Ie

WOOD DWELLERS

Twenty-nine Japanese families have found their version of happiness by creating their own idyll in a Tokyo suburb. Together with eco-architect Akinori Sagane they have built Kinoka no Ie, a community development in Machida-shi in the south of the city. It’s a 21st-century alternative to the hippy commune: eco-logically sound, but without the home knits and tie-dye. Sagane found the land, advertised for buyers and then organized the group’s purchase of the plot. Residents own their apartments – which range from 45 to 80 sq m – and each has a share in the rooftop vegetable gardens.

Non-toxic materials were used wherever possible and chemicals avoided at all costs. Even the concrete was mixed with filtered water. Over the course of two years of planning, discussion and seminars on everything from sustainability to eco-DIY, residents contributed their voices to the design. (…)

Decisions that affect all the residents are made together, and everyone takes it in turns to tend to the public areas. "The best part about living here is the sense of community,” says Nakabayashi, whose top-floor apartment has a balcony overlooking the gardens. “We all got to know each other during the time the development was being planned.” Now they exchange vegetables, look after each other’s children and share cars and bicycles. They all pitched in on waterproofing the exterior: instead of coating the timbers with chemicals, they used an old Japanese technique to scorch the wood and seal it.

Kinoka no Ie (literally “Wood-flavoured House” looks bucolic – the gardens are bursting with vegetables and flowers, children play together and doors are unlocked. But behind it is the challenge of building pratical urban homes while sticking to ecological principles.

“It is not easy to make a community like this in the city,” says Sagane. “But we’ve shown it’s possible. One of the residents is 100% self-sufficient in rice and vegetables, while the rate of self-sufficiency in Tokyo is less than 3%.”

Sagane, whose studio Ambiex is based in Tokyo, has spent two decades trying to persuade people to live in a more environment conscious way. “People have a hard time accepting that a little mould is better than a house full of chemicals,” he says. “Japanese are meticulous and don’t like the slight changes tha happen with woods. Japanese houses usually only last for 30 years and then they just become toxic waste.”

The hard slog is paying off. Sagane has built three eco-projects in the past 10 years and one more are at the planning stage. (…) Sagane’s work has been focused on city projects, but he’s now turning his attention to rural Japan. “There’s this illusion that only people who live in the countryside lead eco-friendly lives,” he says. “But the reality is they usually drive, use agri-chemicals and live in houses full of chemical substances. I think the city and the countryside can influence each other.” Sagane plans to take his work nationally from 2009 and he’s in talks with a prefab construction company about producing an eco-house. “I’m aiming to build houses that last 300 years,” he says. “They don’t need to have major repairs and the running costs are cheap. That should make people happy.”

In MONOCLE, Dezembro 08/Janeiro 09